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Met Opera reopens with landmark first show by Black composer | Africanews
Met's slenderized “Cinderella” lighter on gentle charm than comedic camp
Review: The Met Opera's 'Eurydice' Tries to Raise the Dead - The New York Times
Review: 'La Traviata' Opens a New Era at the Met Opera - The New York Times
Review: 'Cinderella' Adds Stardust To Met Opera Holiday
Met Opera: Don Carlo
Opera Review: “Eurydice” – Not a Love Story But a Father-Daughter Dirge - The Arts Fuse
Review: The Metropolitan Opera's Eurydice Finds Fun in Hell
Aleksandra Kurzak impresses as the Met's new Violetta | Bachtrack
Metropolitan Opera 2021-22 Review: Eurydice - Opera Wire
Review: Amid Omicron, the Met Opera Opens a Weimar 'Rigoletto' - The New York Times
Review on Opera Wire: “One of the tensest scenes witnessed at the Met Opera all season. Barton displayed elegant legato throu… | Metropolitan opera, Opera, Sopranos
Personal Reviews – Flowing Prose
Review: Kristin Chenoweth Stars in a Joyous Christmas at the Met | TheaterMania
Review: Met Opera plays for Ukraine, with anthems and flags - MCE Zone
OPERA NEWS - Eurydice
New York Opera Review: AGRIPPINA (The Met) - Stage and Cinema
Opera Review: “Eurydice” – Not a Love Story But a Father-Daughter Dirge - The Arts Fuse
Entertainment Critic Jim Ruocco Reviews Met Opera at The Ridgefield Playhouse: "Fire Shut Up in My Bones"
Review: 'Elektra' at the Met Opera With Nina Stemme and Lise Davidsen | Observer
Met Opera: Don Carlo review [2015] – Man in Chair
Don Giovanni, Metropolitan Opera, New York — review | Financial Times
Superb singing, stylish conducting lift Met's new “Rigoletto” out of the visual murk
Review: PORGY AND BESS at The Metropolitan Opera
Met Opera: Roberto Devereux review – Man in Chair
Review: 'Aida' Gives a Taste of the Met Opera's Bad Old Days - The New York Times